READ: The Autobiography of Deux Filles' Gemini Forque, by Claudine Coule
Gemini Forque (°1982, Lourdes) is an artist who mainly works with contemporary strategies. By rejecting an objective truth and global cultural narratives, Forque tries to approach a wide scale of subjects in a multi-layered way, likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work.
Her work urge us to renegotiate conceptual art as being part of a reactive or - at times - autistic medium, commenting on oppressing themes in our contemporary society. With a conceptual approach, she presents everyday objects as well as references to texts, painting and architecture. Pompous writings and Utopian constructivist designs are juxtaposed with trivial objects. Categories are subtly reversed.
Her works are an investigation of concepts such as authenticity and objectivity by using an encyclopaedic approach and quasi-scientific precision and by referencing documentaries, 'fact-fiction' and popular scientific equivalents. By parodying mass media by exaggerating certain formal aspects inherent to our contemporary society, she creates with daily, recognizable elements, an unprecedented situation in which the viewer is confronted with the conditioning of his own perception and has to reconsider his biased position.
Her works directly respond to the surrounding environment and uses everyday experiences from the artist as a starting point. Often these are framed instances that would go unnoticed in their original context. By using an ever-growing archive of found documents to create autonomous artworks, she makes works that can be seen as self-portraits. Sometimes they appear idiosyncratic and quirky, at other times, they seem typical by-products of American superabundance and marketing.
She creates situations in which everyday objects are altered or detached from their natural function. By applying specific combinations and certain manipulations, different functions and/or contexts are created. By applying a poetic and often metaphorical language, she wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation.
Her works are saturated with obviousness, mental inertia, clichés and bad jokes. They question the coerciveness that is derived from the more profound meaning and the superficial aesthetic appearance of an image. With the use of appropriated materials which are borrowed from a day-to-day context, she reflects on the closely related subjects of archive and memory. This often results in an examination of both the human need for 'conclusive' stories and the question whether anecdotes 'fictionalise' history.
Her works appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. Gemini Forque currently lives and works in Algiers.