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Yelena Eckemoff Quartet Release 'Everblue' on L&H Production [REVIEW]

By Mike Greenblatt m.greenblatt@classicalite.com on Aug 27, 2015 12:26 PM EDT
Yelena Eckemoff Russian poet Yelena Eckemoff has been playing classical piano her whole life until 2010 when she became a jazz musician. 'Everblue' is a beauty. (Photo : Courtesy L&H Production)

Question: Is it jazz or is it classical? Pianist Yelena Eckemoff started out within the confines of classical music, adhering to the strict notations of whatever composer she magnificently performed. This was back in her native Soviet Union. Continuing to play and compose classical, ambient and world music after she emigrated to the U.S. in 1991, it wasn't until her 2010 Cold Sun that her fingers started improvising. Six albums later, Everblue (released through L&H Production) fuses both her worlds together. You could call it a classical jazz hybrid if you want.

Working with the Norwegian dream team of saxophonist Tore Brunborg, acoustic bassist Arild Andersen and drummer Jon Christensen, Eckemoff's interactive conversation with her band informs a scenario that encompasses the ocean and nature (animals, birds, winds and ghosts). Her poetry graces the CD booklet with a poem for each piece of this land- and sea-scape, a friendly environment where "our consciousness constantly searches and yearns for the divine, unspeakably beautiful eternal." She calls it Everblue. Pockets of energy are compacted within the mix before they recede like waves.

Everblue
(Photo : Courtesy L&H production)
'Everblue' by The Yelena Eckemoff Quartet

Drummer Christensen and bassist Andersen first made their considerable mark with fusion pioneer Jan Garbarek in the 1970s. Here, the drummer giveth yet taketh away as his counterpoint cymbal work goes against his own beat during "All Things Seen And Unseen." It's a mesmerizing effect.

"Waves And Shells" is a minimalist mystery that moves in many directions simultaneously. A church-like call-and-response brackets the track with the middle being a delectable percussion discussion. "Skyline" certainly ebbs and flows like the ocean itself while "Sea Breeze" is its own world of broken eighth-notes, complete with Christensen's rolling cymbal triplets.

"The beach sands hiss and moan with pleasure every time the waves crash on them bringing gifts of shells, sea creatures, water plants, and all kinds of things that the ocean has claimed in its possession. Alas, all these visible things are temporal, yet the ocean itself is eternal" --from the poem accompanying "All Things Seen And Unseen."

Answer: This is jazz.

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TagsYelena Eckemoff, Classical Jazz Hybrid, Jan Garbarek, REVIEW

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