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Hélène Grimaud's New CD 'Water' (Deutsche Grammophon) is Her Beautiful, Dark, Twisted Fantasy

REVIEW: Hélène Grimaud, 'Water' (Deutsche Grammophon) >>

In her liner notes for her new Deutsche Grammophon record Water, French-born classical pianist Helene Grimaud notes, "The theme of this album is water: as a source of life and inspiration." Ms. Grimaud goes on to discuss her uniquely holistic project--a meditation of the contrasting incarnations of water. There is a lot to ponder and consider, yes, based largely on Grimaud's stated intentions and what the sound, itself, is saying. Water is a fascinating intellectual journey. And no, it's not a CD you will ever put on just for background noise.

The Column: Is Kickstarter Bad for Classical Music?

The Column: Is Kickstarter Bad for Classical Music? >>

Many think online crowd-sourced funding the answer to our prayers. Or it could be a nail in the coffin.

New World Symphony Video Première of Netia Jones Will Bring Kaleidoscopic Visions of Winter to Miami and Chicago >>

The New World Symphony will première a video installation by British video artist Netia Jones during their performances in two cities next month, bringing visions of winter landscapes to Miami Beach, Fla. on October 17, and the Harris Theater in Chicago, Ill. on October 19.

Intuitively Yours, Karlheinz Stockhausen

Intuitively Yours, Karlheinz Stockhausen >>

The Aughts were especially tough on Modernism. Starting in 2001, we lost Iannis Xenakis. In 2003, Luciano Berio passed on. Three years later, György Ligeti expired in Vienna, and two years shy of making contact, Mauricio Kagel had his last, albeit post-modern laugh in 2010. Woe be to the Darmstadt demigods of yore; the only one left standing is Pierre Boulez. And as the maître's made more than clear, on the front line of composition anyways, he will fight no more forever. Here in the States, Prof. Milton Babbitt, l'éminence grise of Princeton, stretched his earthly tenure to 94 years. But his death in January of 2011 integrally reminded us that the end of Elliott Carter, who would've turned 104 this December, was nigh.

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