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Mozart Minute

Mostly Mozart Festival 2015: Meet the Orchestra Videos, Wind Minutes

Meet the Mostly Mozart Fest Orchestra: Vote Tanya, Jon, Tom or Lawrence! >>

Mostly Mozart concerts have been a summer staple in participating cities since 1966. Indeed, an historically informed opportunity for the world's foremost interpreters of the pure classical canon, alongside top-flight works by today's contemporary voices. Having plucked out our favorite string players earlier, here, then, are Classicalite's five favorite wind ones: flutist Tanya Dusevic Witek, principal clarinet Jon Manasse, bassoonist Tom Sefčovič and principal horn player Lawrence DiBello...

Mostly Mozart Festival 2015: Meet the Orchestra (String Minutes)

Meet the Mostly Mozart Fest Orchestra: Vote Laura, Shmuel, Alvin or Lou! >>

As the name implies, the Mostly Mozart Festival Orchestra is the resident ensemble of Lincoln Center's Mostly Mozart Festival. Thee premiere orchestra here in the States dedicated to performing the works of (mostly) the classical era, not surprisingly, it's composed of musicians local (New York Phil, Met Opera, Orpheus Chamber), national (Cincinnati, Pittsburgh, St. Louis, St. Paul Chamber) and certainly worldwide acclaim. Vote for your favorite MMFO string player--Laura, Shmuel, Alvin or Lou--below.

Classicalite's Guide to (What's Left) of Mostly Mozart at Lincoln Center

Classicalite's Guide to (What's Left) of Mostly Mozart at Lincoln Center >>

Alas, we are closing in on the final weeks of this summer's Mostly Mozart Festival. Fear not, though, Classicalites. The home stretch of Mostly Mozarts past there at Lincoln Center have always been filled with must-hear performers in don't-miss programming, and this 2015 iteration is hardly going out with a whimper. Case in point: the much-awaited American stage premiere of British composer George Benjamin's love-hate opera, 'Written on Skin.' Starring Barbara Hannigan and Christopher Purves in the viscerally erotic roles they, themselves, originated, outgoing New York Philharmonic music director Alan Gilbert leads the Mahler Chamber Orchestra in what's fast becoming the most revered English-language opera in some two decades.

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