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Tag: Le Poisson Rouge

'EXCLUSIVE: Classicalite Q&A with Lisa Moore

Lisa Moore is more than just a seminal New York pianist who founded the iconic Band on a Can All-Stars. Her dynamic performances incorporate elemental designs that help her channel a unique flow in the way she plays the instrument. In a one-of-a-kind, one-night only showing, Lisa Moore will take to the downtown dwelling (Le) Poisson Rouge this Tuesday, Feb. 23 for a release show of her new album The Stone People.
  • 'EXCLUSIVE: Mohammed Fairouz on W.H. Auden, 'No Orpheus' and (L)PR Dates

    Mohammed Fairouz is one of this generation's most celebrated--and performed--and composers. His works have been heralded by New Yorker magazine who claim Fairouz is an "expert in vocal writing." Touching on social issues far and wide, his virtuosity with texts archaic and new have earned him the title as a post-millennial Schubert.
  • 'PREMIERE: Watch Adam Sliwinski Play Dan Trueman's "Marbles" Étude on bitKlavier (New Amsterdam)

    It's been 11 whole months, yes, since we first saw Sō Percussion's Adam Sliwinski's cross-handed study of Dan Trueman's bitKlavier. Shot then by Troy Herion, with Silwinski patched into his Princeton colleague's "prepared digital piano" via Casio USB for prelude-only, with all the bugs beta-ed out now, watch Silwinski's Roland A-88 shake under the more progressive hammer action of "Marbles"--directed by Evan Chapman. Like Ligeti's last Grawemeyer étude for Boulez from Book One, but played by the Synclavier I from Boulez conducts Zappa, lest you think Dan Trueman's lost his own here, well, just press play.
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