The Boston Symphony Orchestra (BSO) is marking the end of an era this week as five of its most experienced and respected string players officially step away from the ensemble. The departures of violinists Victor Romanul and Jennie Shames, violist Rachel Fagerburg, and bassists Edwin Barker and Joseph Hearne were announced this week and confirmed in Musical America, prompting tributes from both colleagues and fans.
Each of these musicians has contributed decades of artistry to the orchestra, helping to shape the BSO's sound and legacy. Their exits come at a time of generational transition for the ensemble, which is already preparing for the next chapter under the baton of Andris Nelsons, the orchestra's acclaimed music director.
Violinist Victor Romanul, known for his virtuosic technique and magnetic stage presence, joined the BSO in 1985. Over four decades, he performed hundreds of major works, both in Boston and on international tours. Beyond his symphonic work, Romanul was a passionate educator and soloist, frequently collaborating with contemporary composers and serving as a mentor to young talent.
His colleague, Jennie Shames, brought warmth and lyricism to the second violin section for nearly three decades. She was known for her expressive phrasing and deep commitment to chamber music, often performing in side ensembles throughout New England.
Rachel Fagerburg, who joined the viola section in the early 1990s, was admired for her rich tone and subtle musical intelligence. A key player in balancing the orchestra's middle voices, Fagerburg was a quiet but essential contributor to the ensemble's cohesion and blend.
On the low end of the register, two giants of the BSO's bass section are also retiring.
Edwin Barker, principal bassist since 1976, is widely regarded as one of the finest bassists in American orchestral history. His impeccable timing, solo agility, and leadership shaped the BSO's rhythm section for nearly 50 years. In addition to his orchestral duties, Barker was a professor at New England Conservatory and a sought-after guest performer worldwide.
Joseph Hearne, another backbone of the bass section, joined the BSO in 1969. His versatility spanned classical, contemporary, and jazz idioms, and his deep commitment to collaboration made him a favorite among conductors and composers alike.
The BSO is planning to honor these musicians in the upcoming season with a tribute concert and formal recognition in program notes and archival features. While the orchestra moves forward with auditions to fill the seats left behind, there's no question that the departure of these five artists marks a poignant turning point.
As the applause fades and the baton lowers on their final performances, their legacy remains part of the orchestra's heartbeat.
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